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全部话题 - 话题: botticelli
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C*Q
发帖数: 65
1
start from the next one, xixi.
C*Q
发帖数: 65
2
start from the next one, xixi.
C*Q
发帖数: 65
3
来自主题: Arts版 - Biography Introduction 生平简介
Italian painter. He was Florentine and extremely successful at the
peak of his career, with a highly individual and graceful style
founded on the rhythmic capabilities of outline. With the emergence of
the High Renaissance style at the turn of the 16th century, he fell out
of fashion, died in obscurity and was only returned to his position as
one of the best-loved quattrocento painters through the interest of
Ruskin and the Pre-Raphaelites. His nickname "Botticelli" means "little
barrel" and was
C*Q
发帖数: 65
4
来自主题: Arts版 - Biography Introduction 生平简介
Italian painter. He was Florentine and extremely successful at the
peak of his career, with a highly individual and graceful style
founded on the rhythmic capabilities of outline. With the emergence of
the High Renaissance style at the turn of the 16th century, he fell out
of fashion, died in obscurity and was only returned to his position as
one of the best-loved quattrocento painters through the interest of
Ruskin and the Pre-Raphaelites. His nickname "Botticelli" means "little
barrel" and was... 阅读全帖
C*Q
发帖数: 65
5
来自主题: Arts版 - Masterpieces 代表作(三)
Like his master Lippi, before him, Botticelli has created his own
instantly recognizable type of feminine beauty, used for Madonnas and
Venuses alike. His most remarkable painting is also the only one that
is signed, the Mystic Nativity (1500, London, National Gallery). It is
deliberately archaic with hieratic differences in scale (the Virgin and
Child dwarfing the other figures) and carries a cryptic inscription
(partly erased) forecasting the end of the present troubled world and
the beginning
C*Q
发帖数: 65
6
来自主题: Arts版 - Masterpieces 代表作(三)
Like his master Lippi, before him, Botticelli has created his own
instantly recognizable type of feminine beauty, used for Madonnas and
Venuses alike. His most remarkable painting is also the only one that
is signed, the Mystic Nativity (1500, London, National Gallery). It is
deliberately archaic with hieratic differences in scale (the Virgin and
Child dwarfing the other figures) and carries a cryptic inscription
(partly erased) forecasting the end of the present troubled world and
the beginning... 阅读全帖
C*Q
发帖数: 65
7
来自主题: Arts版 - The end - 暗淡的结局
Many of his works datable to this period seem to be imbued with the
same spiritual tension (which some scholars have attributed to
Botticelli's association with the hellfire preacher Savonarola,
although such an association has not been substantiated). During his
last decade his style must have appeared absolutely out of date and he
seems to have done very little work. Without doubt the High Renaissance
style obscured his achievement and, despite his earlier success, he had
no followers of any m
C*Q
发帖数: 65
8
来自主题: Arts版 - The end - 暗淡的结局
Many of his works datable to this period seem to be imbued with the
same spiritual tension (which some scholars have attributed to
Botticelli's association with the hellfire preacher Savonarola,
although such an association has not been substantiated). During his
last decade his style must have appeared absolutely out of date and he
seems to have done very little work. Without doubt the High Renaissance
style obscured his achievement and, despite his earlier success, he had
no followers of any m... 阅读全帖
i*****e
发帖数: 72
9
来自主题: Arts版 - 宗教与艺术(1)
想起前两天偶然看到cinemax的一部喜剧,讲一个小学教师泡妞的故事,
那人见漂亮姑娘就说,"你有一张Botticelli的脸蛋,德加的身材."
还有回说走了嘴,恭维人有"毕加索的脸蛋",姑娘大怒,"我能那么
丑?" :)
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