w*******n
发帖数: 4188 | 1 In fact, to an great extent my strong interest in Bach is
induced by Glenn Gould's interpretation.In the beginning, I
was just totally amazed by his technique, as shown in his
lengendary first recording about Goldberg variation in
CBS.But later on,as I got his WTC,Italian Concerto,and
Tocatta and Fuge, I find it becomes hard for me to
appreciate,and his performance is a little uneasy for me.I
just do not understand why he always chooses very
exceptional tempo, which makes me feel disturbed.In th | S****n
发帖数: 46 | 2 I've listened to his goldberg variations thousands of times.
他的表演让我想到也许当时Bach就是想要表现人间的爱和热情。
在他那个时代，只有宗教音乐可以流传下来。
Bach必须给他的音乐穿上宗教的外衣，Gould恰恰把内在的romance淋漓尽致地表现出来。
Gould是个怪人，总是想独树一帜。
也正是这样，his recordings stand out. | e***e
发帖数: 3872 | 3
复调是巴赫很重要的一个方面，但他和帕勒斯特里纳之间的区别
也很重要，无论怎样他也是他那个时代，晚期巴罗克的代表而不是
一百五十年前的High Renaissance——那时占主导地位的是复调，
严格意义的复调或者蒙特威尔蒂称为‘prima pratica’创作手法。
在巴赫那里，亨德尔也一样，和声的整体设计（design），调性的
根本表现手法是基本的，对位和模拟，如果不是第二位的至少是服
从于和声和调性设计的安排的，可以称之为创意（invention）。
这一特点之明显，哪怕在他称为创意曲的15首键盘作品中也清晰可
辨，每一首作品都有严格的调性安排，推动作品进行的是一个由主
调向属调行进的强烈趋势，实现这一趋势的通常是被称为序列法的
级进转调，而对位则是丰富色彩的手段（到浪漫时期这一点也让位
给和声乐）。从这样的观点看，很多古钢琴的演奏更符合这些作品
固有的表达方式，尤其是分散和弦和用调式音阶传达的和声与调性
概念，比较巴赫古钢琴作品和管风琴作品的异同也可以得到些相似
的感觉。毕竟，巴赫不是一个抽象的作曲家，而是一个深谙人声与
乐器特性的音乐家。
【在 w*******n 的大作中提到】
: In fact, to an great extent my strong interest in Bach is
: induced by Glenn Gould's interpretation.In the beginning, I
: was just totally amazed by his technique, as shown in his
: lengendary first recording about Goldberg variation in
: CBS.But later on,as I got his WTC,Italian Concerto,and
: Tocatta and Fuge, I find it becomes hard for me to
: appreciate,and his performance is a little uneasy for me.I
: just do not understand why he always chooses very
: exceptional tempo, which makes me feel disturbed.In th
|
|
