W*****B
发帖数: 4796 | 1 目前海外最大票房是棒子国，4千2百万！
不理解为什么棒子会舔泥哥。
在很多东欧国家比如波兰和保加利亚票房也非常惊人。同样不理解。
我估计很大程度都是跟风看热闹。
西非和东非的票房也都破纪录了，大约40万左右吧。
接下来是几个最大的国际票房，俄国，日本和中国。
好莱坞肯定很期待中国票房。我个人估计国内票房不会太好。如果中国票房真的很差的
话，西方媒体肯定不会放过机会贬损的。肯定会借此指责中国人种族歧视。
估计受这个黑豹的鼓舞，今后会有更多的泥哥英雄片涌现的。
'Black Panther' is a powerful force at the box office everywhere —
including Africa
Marvel Studios and Ryan Coogler’s blockbuster superhero movie “Black
Panther” has become a legitimate global juggernaut, grossing a jaw-dropping
$427 million in global ticket sales and defying movie business assumptions.
It’s also showing strength in the continent where the film mostly takes
place — Africa.
Released by Walt Disney Co., “Black Panther” scored the largest box office
debuts ever in West Africa and East Africa, generating about $400,000 and $
300,000, respectively. In South Africa, “Black Panther” had the third-
highest opening ($1.4 million), coming in behind the two most recent “Fast
and Furious” movies. Big-screen company Imax Corp. said its theaters in
Kenya and Nigeria had their biggest results ever this weekend.
The $200-million film, starring Chadwick Boseman as the titular comic book
hero, is benefiting from its overwhelmingly positive representation of
Africa and pan-African cultures, analysts said.
Hollywood movies set in Africa often depict the continent as a war-torn
environment filled with poverty and suffering. The film’s release also
comes less than two months after President Trump was quoted using vulgar
language to disparage immigrants from African countries.
“Black Panther” centers on a fictional African nation of Wakanda, which
outsiders wrongly believe to be an impoverished country but is a
staggeringly wealthy society with the most advanced technology in the world.
“Black Panther,” which also features Michael B. Jordan, Lupita Nyong'
o and a breakout performance by Letitia Wright, is the first global
superhero blockbuster with a mostly black cast and a black director.
“It's a positive representation of Africa, and we normally don't
see portrayals like that,” said Paul Dergarabedian, senior analyst at box
office data firm ComScore. “‘Black Panther’ is so important because it&#
39;s obliterating these stereotypes.”
Disney declined to comment.
To be sure, Africa remains a tiny market for films, compared to other parts
of the world, and the African grosses for “Black Panther” are a blip in
the movie’s overall total, accounting for less than $3 million in ticket
sales for opening weekend. West Africa, a region that includes Nigeria and
Ghana, had 32 theaters in 2016, according to data from the National Assn. of
Theatre Owners. Major international theater chains lack a presence there.
By contrast, in the United States and Canada alone, “Black Panther”
collected about $202 million in its first three days, representing the
second-largest debut ever for a Marvel Studios film. Its massive rollout
continued during the Presidents Day holiday, with $40.2 million in the U.S.
and Canada, marking the biggest Monday result ever, not adjusted for
inflation. Domestically, it has grossed $242 million.
Though small, analysts say there’s potential for growth in the African box
office, driven by the rising middle class in some African countries. The
total number of tickets sold in West Africa in 2017 was projected to grow to
4 million, up 15% from 2016, for example, according to National Assn. of
Theatre Owners.
One problem is that Hollywood doesn’t make many movies that cater to
African audiences. “Black Panther” is a prime exception.
African theater chains — including Lagos, Nigeria-based Filmhouse Cinemas
and South African chains Nu Metro Cinemas and Ster-Kinekor Theatres — have
been heavily promoting “Black Panther” on their Twitter accounts. As they
did in the U.S. and other countries, moviegoers tweeted their enthusiasm
before and after attending the screenings. One Twitter user in Pretoria,
South Africa, posted a photo of her “Black Panther” ticket with the
caption, “I’m ready.”
“The movie Black Panther is amazing because it does not play into
destructive stereotypes of black people as well as showing richness of
African culture,” Filmhouse Cinemas wrote on its Twitter page.
Greg Foster, chief executive of Imax Entertainment, said “Black Panther”
could help expand the film market in Africa, and elsewhere.
“It's brought in people who traditionally haven't gone to movies,
because there's a message in ‘Black Panther’ that says this is a movie
to support,” Foster said.
That enthusiasm goes well beyond the African continent. Foster said the film
posted big numbers in unexpected countries, including Poland, Bulgaria,
Portugal, Israel and Pakistan. The largest international box-office results
for “Black Panther,” so far, came from South Korea, which generated $27.1
million in box office receipts for the film.
“This is clearly a global phenomenon,” Foster said. “For every Angola and
Kenya, there’s also a Bulgaria and an Israel.”
The industry is still waiting to see how it does in some of the world’s
largest box office markets. “Black Panther” opens in Russia next weekend,
followed by Japan and China, the world’s second-largest country for movies,
in March.
The film is expected to continue to post powerful numbers in the U.S. and
Canada this weekend. Analysts said it could grow an additional $100 million
domestically this weekend, driven by repeat business. It will likely be the
No. 1 movie domestically Friday through Sunday, easily beating new arrivals,
Paramount’s science fiction thriller “Annihilation” and Warner Bros.’ R
-rated comedy “Game Night.”
“Black Panther” is on track to gross about $500 million in North America
through the end of its run, analysts said, putting a $1-billion global
release within its reach. In its opening weekend, the domestic audience
demographic for “Black Panther” was 37% black and 35% white, according to
analysis by ComScore.
The movie has already shattered preconceived movie business assumptions
about whether films with predominantly black casts can succeed abroad, with
$185 million in overseas box office so far.
“It's just unbelievable,” Dergarabedian said. “The long-term
playability is going to be bolstered even more by the cultural conversation
it's sparking and will continue to inspire.”
Marvel Studios and Ryan Coogler’s blockbuster superhero movie “Black
Panther” has become a legitimate global juggernaut, grossing a jaw-dropping
$427 million in global ticket sales and defying movie business assumptions.
It’s also showing strength in the continent where the film mostly takes
place — Africa.
Released by Walt Disney Co., “Black Panther” scored the largest box
office debuts ever in West Africa and East Africa, generating about $400,000
and $300,000, respectively. In South Africa, “Black Panther” had the
third-highest opening ($1.4 million), coming in behind the two most recent
“Fast and Furious” movies. Big-screen company Imax Corp. said its theaters
in Kenya and Nigeria had their biggest results ever this weekend.
The $200-million film, starring Chadwick Boseman as the titular comic book
hero, is benefiting from its overwhelmingly positive representation of
Africa and pan-African cultures, analysts said.
Hollywood movies set in Africa often depict the continent as a war-torn
environment filled with poverty and suffering. The film’s release also
comes less than two months after President Trump was quoted using vulgar
language to disparage immigrants from African countries.
“Black Panther” centers on a fictional African nation of Wakanda, which
outsiders wrongly believe to be an impoverished country but is a
staggeringly wealthy society with the most advanced technology in the world.
“Black Panther,” which also features Michael B. Jordan, Lupita Nyong'
o and a breakout performance by Letitia Wright, is the first global
superhero blockbuster with a mostly black cast and a black director.
“It's a positive representation of Africa, and we normally don't
see portrayals like that,” said Paul Dergarabedian, senior analyst at box
office data firm ComScore. “‘Black Panther’ is so important because it&#
39;s obliterating these stereotypes.”
Disney declined to comment.
To be sure, Africa remains a tiny market for films, compared to other parts
of the world, and the African grosses for “Black Panther” are a blip in
the movie’s overall total, accounting for less than $3 million in ticket
sales for opening weekend. West Africa, a region that includes Nigeria and
Ghana, had 32 theaters in 2016, according to data from the National Assn. of
Theatre Owners. Major international theater chains lack a presence there.
By contrast, in the United States and Canada alone, “Black Panther”
collected about $202 million in its first three days, representing the
second-largest debut ever for a Marvel Studios film. Its massive rollout
continued during the Presidents Day holiday, with $40.2 million in the U.S.
and Canada, marking the biggest Monday result ever, not adjusted for
inflation. Domestically, it has grossed $242 million.
Though small, analysts say there’s potential for growth in the African box
office, driven by the rising middle class in some African countries. The
total number of tickets sold in West Africa in 2017 was projected to grow to
4 million, up 15% from 2016, for example, according to National Assn. of
Theatre Owners.
One problem is that Hollywood doesn’t make many movies that cater to
African audiences. “Black Panther” is a prime exception.
African theater chains — including Lagos, Nigeria-based Filmhouse
Cinemas and South African chains Nu Metro Cinemas and Ster-Kinekor Theatres
— have been heavily promoting “Black Panther” on their Twitter accounts.
As they did in the U.S. and other countries, moviegoers tweeted their
enthusiasm before and after attending the screenings. One Twitter user in
Pretoria, South Africa, posted a photo of her “Black Panther” ticket with
the caption, “I’m ready.”
“The movie Black Panther is amazing because it does not play into
destructive stereotypes of black people as well as showing richness of
African culture,” Filmhouse Cinemas wrote on its Twitter page.
Greg Foster, chief executive of Imax Entertainment, said “Black Panther”
could help expand the film market in Africa, and elsewhere.
“It's brought in people who traditionally haven't gone to movies,
because there's a message in ‘Black Panther’ that says this is a movie
to support,” Foster said.
That enthusiasm goes well beyond the African continent. Foster said the film
posted big numbers in unexpected countries, including Poland, Bulgaria,
Portugal, Israel and Pakistan. The largest international box-office results
for “Black Panther,” so far, came from South Korea, which generated $27.1
million in box office receipts for the film.
“This is clearly a global phenomenon,” Foster said. “For every Angola and
Kenya, there’s also a Bulgaria and an Israel.”
The industry is still waiting to see how it does in some of the world’s
largest box office markets. “Black Panther” opens in Russia next weekend,
followed by Japan and China, the world’s second-largest country for movies,
in March.
The film is expected to continue to post powerful numbers in the U.S. and
Canada this weekend. Analysts said it could grow an additional $100 million
domestically this weekend, driven by repeat business. It will likely be the
No. 1 movie domestically Friday through Sunday, easily beating new arrivals,
Paramount’s science fiction thriller “Annihilation” and Warner Bros.’ R
-rated comedy “Game Night.”
“Black Panther” is on track to gross about $500 million in North America
through the end of its run, analysts said, putting a $1-billion global
release within its reach. In its opening weekend, the domestic audience
demographic for “Black Panther” was 37% black and 35% white, according to
analysis by ComScore.
The movie has already shattered preconceived movie business assumptions
about whether films with predominantly black casts can succeed abroad, with
$185 million in overseas box office so far.
“It's just unbelievable,” Dergarabedian said. “The long-term
playability is going to be bolstered even more by the cultural conversation
it's sparking and will continue to inspire.”
Marvel Studios and Ryan Coogler’s blockbuster superhero movie “Black
Panther” has become a legitimate global juggernaut, grossing a jaw-dropping
$427 million in global ticket sales and defying movie business assumptions.
It’s also showing strength in the continent where the film mostly takes
place — Africa.
Released by Walt Disney Co., “Black Panther” scored the largest box office
debuts ever in West Africa and East Africa, generating about $400,000 and $
300,000, respectively. In South Africa, “Black Panther” had the third-
highest opening ($1.4 million), coming in behind the two most recent “Fast
and Furious” movies. Big-screen company Imax Corp. said its theaters in
Kenya and Nigeria had their biggest results ever this weekend.
The $200-million film, starring Chadwick Boseman as the titular comic book
hero, is benefiting from its overwhelmingly positive representation of
Africa and pan-African cultures, analysts said.
Hollywood movies set in Africa often depict the continent as a war-torn
environment filled with poverty and suffering. The film’s release also
comes less than two months after President Trump was quoted using vulgar
language to disparage immigrants from African countries.
“Black Panther” centers on a fictional African nation of Wakanda, which
outsiders wrongly believe to be an impoverished country but is a
staggeringly wealthy society with the most advanced technology in the world.
“Black Panther,” which also features Michael B. Jordan, Lupita Nyong'
o and a breakout performance by Letitia Wright, is the first global
superhero blockbuster with a mostly black cast and a black director.
“It's a positive representation of Africa, and we normally don't
see portrayals like that,” said Paul Dergarabedian, senior analyst at box
office data firm ComScore. “‘Black Panther’ is so important because it&#
39;s obliterating these stereotypes.”
Disney declined to comment.
To be sure, Africa remains a tiny market for films, compared to other parts
of the world, and the African grosses for “Black Panther” are a blip in
the movie’s overall total, accounting for less than $3 million in ticket
sales for opening weekend. West Africa, a region that includes Nigeria and
Ghana, had 32 theaters in 2016, according to data from the National Assn. of
Theatre Owners. Major international theater chains lack a presence there.
By contrast, in the United States and Canada alone, “Black Panther”
collected about $202 million in its first three days, representing the
second-largest debut ever for a Marvel Studios film. Its massive rollout
continued during the Presidents Day holiday, with $40.2 million in the U.S.
and Canada, marking the biggest Monday result ever, not adjusted for
inflation. Domestically, it has grossed $242 million.
Though small, analysts say there’s potential for growth in the African box
office, driven by the rising middle class in some African countries. The
total number of tickets sold in West Africa in 2017 was projected to grow to
4 million, up 15% from 2016, for example, according to National Assn. of
Theatre Owners.
One problem is that Hollywood doesn’t make many movies that cater to
African audiences. “Black Panther” is a prime exception.
African theater chains — including Lagos, Nigeria-based Filmhouse Cinemas
and South African chains Nu Metro Cinemas and Ster-Kinekor Theatres — have
been heavily promoting “Black Panther” on their Twitter accounts. As they
did in the U.S. and other countries, moviegoers tweeted their enthusiasm
before and after attending the screenings. One Twitter user in Pretoria,
South Africa, posted a photo of her “Black Panther” ticket with the
caption, “I’m ready.”
“The movie Black Panther is amazing because it does not play into
destructive stereotypes of black people as well as showing richness of
African culture,” Filmhouse Cinemas wrote on its Twitter page.
Greg Foster, chief executive of Imax Entertainment, said “Black Panther”
could help expand the film market in Africa, and elsewhere.
“It's brought in people who traditionally haven't gone to movies,
because there's a message in ‘Black Panther’ that says this is a movie
to support,” Foster said.
That enthusiasm goes well beyond the African continent. Foster said the film
posted big numbers in unexpected countries, including Poland, Bulgaria,
Portugal, Israel and Pakistan. The largest international box-office results
for “Black Panther,” so far, came from South Korea, which generated $27.1
million in box office receipts for the film.
“This is clearly a global phenomenon,” Foster said. “For every Angola and
Kenya, there’s also a Bulgaria and an Israel.”
The industry is still waiting to see how it does in some of the world’s
largest box office markets. “Black Panther” opens in Russia next weekend,
followed by Japan and China, the world’s second-largest country for movies,
in March.
The film is expected to continue to post powerful numbers in the U.S. and
Canada this weekend. Analysts said it could grow an additional $100 million
domestically this weekend, driven by repeat business. It will likely be the
No. 1 movie domestically Friday through Sunday, easily beating new arrivals,
Paramount’s science fiction thriller “Annihilation” and Warner Bros.’ R
-rated comedy “Game Night.”
“Black Panther” is on track to gross about $500 million in North America
through the end of its run, analysts said, putting a $1-billion global
release within its reach. In its opening weekend, the domestic audience
demographic for “Black Panther” was 37% black and 35% white, according to
analysis by ComScore.
The movie has already shattered preconceived movie business assumptions
about whether films with predominantly black casts can succeed abroad, with
$185 million in overseas box office so far.
“It's just unbelievable,” Dergarabedian said. “The long-term
playability is going to be bolstered even more by the cultural conversation
it's sparking and will continue to inspire.” | a********r
发帖数: 4013 | |
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