j****e
发帖数: 12067 | 1 <活着>倒被禁了?<大红灯笼>不是更具讽刺意味么? | J******a
发帖数: 328 | | B*G
发帖数: 13438 | 3 活着首先直接描写大跃进了，这犯了忌讳（反右和大跃进比文革更忌讳），然后整体来
看取向也非常反动。大红灯笼那是前朝的事，至于潜台词讽刺谁了其实没多大关系。其
实张艺谋的作品里面，应该问的是《菊豆》为啥能公映，我爸曾经是张艺谋的大粉丝，
菊豆一出来他给全家人买了票，推着我爷爷去看的，看得全家人尴尬不已，也太变态了
点。反正后来这个尺度的电影是公映不了了，比如那个《大鸿米店》。
【在 j****e 的大作中提到】
: <活着>倒被禁了?<大红灯笼>不是更具讽刺意味么?
| j****e
发帖数: 12067 | 4 WIKI:
The film has been interpreted by some critics as a criticism of contemporary
China, although Zhang Yimou himself has sternly denied this.[24] Jonathan
Crow of Allmovie states that "the perpetual struggle for power that
precludes any unity among the wives provides a depressingly apt metaphor for
the fragmented civil society of post-Cultural Revolution China". James
Berardinelli makes a similar analogy in his review where he states that "
Songlian is the individual, the master is the government, and the customs of
the house are the laws of the country. It's an archaic system that rewards
those who play within the rules and destroys those who violate them.".[25]
Furthermore, in such a system, the innocent individual becomes the executer
of new incoming victims, making one's outcome even more tragic, as it is
analyzed by Gil Hizi of ThinkingChinese.
我也有这种感觉，否则拿一群姨太太做谑头纯粹是恶俗
【在 J******a 的大作中提到】
: 讽刺的时代和东西都不一样吧
| z***c
发帖数: 2959 | 5 就算有隐喻也和张艺谋没有关系，是苏童的事
contemporary
for
of
rewards
【在 j****e 的大作中提到】
: WIKI:
: The film has been interpreted by some critics as a criticism of contemporary
: China, although Zhang Yimou himself has sternly denied this.[24] Jonathan
: Crow of Allmovie states that "the perpetual struggle for power that
: precludes any unity among the wives provides a depressingly apt metaphor for
: the fragmented civil society of post-Cultural Revolution China". James
: Berardinelli makes a similar analogy in his review where he states that "
: Songlian is the individual, the master is the government, and the customs of
: the house are the laws of the country. It's an archaic system that rewards
: those who play within the rules and destroys those who violate them.".[25]
| B*G
发帖数: 13438 | 6 张艺谋这片讽刺隐喻没那么明显，当年看的时候大家都在关注他的美学趣味，批评他又
一次展现中国阴暗面来着。要说讽刺隐喻，拍建国大业建党伟业的导演黄建新，当年的
名作黑炮事件，比大红灯笼猛太多了。王朔唯一的电影，我是你爸爸，也非常猛，当然
这片确实被禁了。
contemporary
for
of
rewards
【在 j****e 的大作中提到】
: WIKI:
: The film has been interpreted by some critics as a criticism of contemporary
: China, although Zhang Yimou himself has sternly denied this.[24] Jonathan
: Crow of Allmovie states that "the perpetual struggle for power that
: precludes any unity among the wives provides a depressingly apt metaphor for
: the fragmented civil society of post-Cultural Revolution China". James
: Berardinelli makes a similar analogy in his review where he states that "
: Songlian is the individual, the master is the government, and the customs of
: the house are the laws of the country. It's an archaic system that rewards
: those who play within the rules and destroys those who violate them.".[25]
|
|
